I have decided to call my signature ride for my still-as-yet-untitled murder mysteries area for Word World “Destination Unknown” after the Agatha Christie novel of the same name. I may have gone a bit over the top here, but I hope you will bear with me. I just couldn’t stop…
The ride starts at a wooden ticket office, decorated with posters advertising bus tours to the English seaside and stately homes. The carriage interiors are designed to resemble a vintage bus and there is a driver figure in shadow at the front. Visitors are greeted by a cheerful bus conductor who stamps their tickets and helps them into the carriage. The ride starts slowly, along a gentle winding track through quaint cobbled streets lined with cheery cottages whose inhabitants are gossiping over fences and trimming hedges while children play hopscotch and sing nursery rhymes (specifically “Hickory Dickory Dock”). There is birdsong playing.
Soon the ride comes to a village green with striped tents, a Punch & Judy show, a tombola spilling with prizes and a brass band knocking out cheery tunes. The ride speeds up, getting faster and faster. A rumble of thunder is heard in the distance and then… crack! Lightning strikes and the ride comes to an abrupt halt in pitch darkness. A voice is heard shouting in the distance, “There’s a body in the library!” (only it is said in such OTT Queen’s English that it sounds like “Thah’s a bod-eh! In tha ley-bree!”).
It starts raining. Suddenly, loud creaky windscreen wipers start screeching furiously at the front of the carriage and the ride is off again, faster than ever, careering around corners and dodging giant plastic red herrings swinging like pendulums. Plaintive voices cry out things like “Oh, Humphrey!” and “Gladys, are you there, Gladys?”, interspersed with piercing screams and running footsteps.
With every crack of lightning a tableau is illuminated – a vicar hanging from a rope as a bell tolls, a woman slumped on the table with a knife in her back at a dinner party, an evil-looking housekeeper stirring a cake and cackling while green smoke rises from the bowl, a man in cricket whites with a cricket stump through his head, a butler lying on a staircase in a pool of blood … et cetera … et cetera …
The rain starts to ease and the ride slows to a gentle pace as the light levels increase. The brass band pipes up again, but the music is slow and distorted. The ride passes a giant mirror cracked from side to side, a ticking clock stuck at ten to five and a large bottle of sparkling liquid labelled “Cyanide”.
Turning a corner, the ride is at a replica of the village green. The sun is shining and the astroturf glistens from the rain, but the tents have blown over and the tombola prizes are scattered across the ground. The bus stops in front of a giant front door…
Silence…
…a lady’s voice: “Hullo? St Mary Mead 236?”…. and a man’s: “Mon Dieu! Zee leetle grey cells, ‘Astings, zee leetle grey cells!” The door flings open and the ride zooms through, coming to an abrupt halt again in a room decorated with oversized tables and chairs and a giant aspidistra. Two giant automated figures (fifteen feet tall or bigger) stand each side of a red velvet curtain – one a portly man in a pinstriped suit, chuckling and twirling his handlebar moustache and the other an old lady clickety-clack knitting while her eyes twinkle (quite literally – LEDs, perhaps?) above her half-moon spectacles. The curtains draw back to reveal the outside world and the ride ends at the entrance to Ye Olde Post Office and Gifte Shoppe.
